Season 1

Episodes • 2014

Chris Moore
Shane Dawson
A. M. Lukas
Tony Sacco
Josh Shader
Zachary Quinto
Corey Moosa
Neal Dodson
Dan Schoffer
The Experiment

1. The Experiment

60 min

Starting with the same screenplay and budget, two first-time directors from very different backgrounds, Shane Dawson and Anna Martemucci, struggle to shape the script into their own vision.

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Dollars & Decisions

2. Dollars & Decisions

60 min

Securing financing proves to be challenging as Shane searches for crew and locations, while Anna wrestles with time-management and receives some unexpected news about a key hire.

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Mentionable is Manageable

3. Mentionable is Manageable

60 min

For Shane, raunchy script content complicates casting and costs him a location. Anna blocks the producers from her casting session only to experience growing pains as a first-time director.

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The Ramp Up

4. The Ramp Up

60 min

As the teams head into their final week of pre-production, casting dilemmas loom for Anna and Shane. Table read lead to concerns about whether their individual scripts are ready for filming.

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Picture's Up

5. Picture's Up

60 min

With producers hovering, Anna and Shane feel the pressure of the first day on set.

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Moving On

6. Moving On

60 min

Anna has problems managing her time on set, while producers are concerned that Shane is playing it safe.

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Making Your Days

7. Making Your Days

60 min

Fatigue impacts filmmakers as tension develops between Shane and his producing partner, and Anna deals with both directing and acting.

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Two Martinis

8. Two Martinis

60 min

Shane and Anna enter their final days of production. Shane shaves his head, a sign that he is moving on from his famous You Tube persona. Anna fights for her own style of directing.

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The Test

9. The Test

60 min

Anna and Shane begin the lonely process of editing. Both filmmakers fight to stay true to their vision as they receive critiques of their work.

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Outside The Bubble

10. Outside The Bubble

60 min

In the season finale, the winner is revealed after Shane receives surprising news, while Anna deals with test-screening questions, and both filmmakers turn their attention to marketing and distribution

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